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11.
保证职工的合理报酬,是建立和谐稳定劳动关系的关键环节。但由于种种原因,目前的工资集体协商制度还存在较严重的形式化倾向。工会组织是建立工资集体协商制度、协调和发展和谐劳动关系的推行者和执行者,在工作中无疑应该注意消除这种形式化倾向。 相似文献
12.
曹爽 《吉林公安高等专科学校学报》2004,(5):45-47
随着市场经济的迅速发展,公民越来越注重对个人人身安全的保护。私人保镖能否纳入保安服务公司的业务范围一直颇具争议。分析我国保安服务业的现有业务工作情况,将私人保镖纳入保安服务公司业务范围,以求发展和完善我国保安服务业。 相似文献
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舒印彪 《中国劳动关系学院学报》2018,32(5):100-109
习近平总书记关于以人民为中心的思想集中反映了习近平总书记的群众观,是对马克思"人的全面发展"理论的继承和发展。深入了解和研究以人民为中心思想的形成、理论来源、重要意义和深刻内涵,对于准确把握习近平新时代中国特色社会主义思想,坚持国有企业职工主体地位,统筹做好工会各项工作都具有重要意义。本文论述了以习近平新时代中国特色社会主义思想为指导,在国有企业中深入理解和切实践行以人民为中心的发展思想,贯彻落实好全心全意依靠工人阶级的根本方针,充分发挥国有企业"六个力量"作用,推动国有企业做强做优做大,促进我国经济社会持续健康发展的具体路径和目标任务。 相似文献
16.
Angela Smith 《社会征候学》2018,28(3):315-329
This article explores recent developments in masculinity, focusing on the sexualisation of fatherhood in Anglophone media. As it becomes socially acceptable for men to engage with “hands-on” fatherhood roles that had previously been primarily associated with motherhood, the appeal lies not just in this shift in gendered performance, but the representation of this as an opportunity for men to reveal a desirably body image. Where previously the hands-on fatherhood role had been glossed as “nappy changing duties,” this more recent development focuses on men’s bodies and in particular the act of carrying a young child which affords the chance for biceps to be flexed in juxtaposition with the gentle act of holding a child. Colloquially, this has led to the emergence of the “DILF,” particularly on social media where sites are devoted to photos of such men. 相似文献
17.
一种流行的对现代货币理论的批评认为,现代货币理论忽视了金融市场在货币创造中的主体地位;现代货币理论的错误认识会导致政府对市场的过度干预。这种反对意见不仅误解了现代货币理论,而且建立在错误的历史观上,忽视了政府在市场经济中的重要作用。首先,现代货币理论形成了包括商业银行和政府在内的对货币等级结构的完整认识。其次,在历史上,财政作为货币创造主体的作用并没有让位于商业银行体系,相反,随着布雷顿森林体系的解体,国家财政的作用获得了极大的解放。再次,政府的货币创造具有生产性的一面,它在推动创新和生产力发展上扮演着重要角色;政府创造和回收货币并不是剥削,而是国家的公共目的所使然。最后,货币创造主体的制度设计及其争论的问题本质上是更深层次的政治经济学问题。 相似文献
18.
Irmela Hijiya-Kirschnereit 《Japan Forum》2018,30(1):42-59
AbstractFrom his earliest works, Kawabata, known as an explicit aestheticist, deals in his works with flawed and disabled bodies in contrast to beautiful ones, evoking feelings of revulsion, awkwardness, disgust and premonitions of decay and death. The dynamism created out of these tensions and ruptures in the aestheticized world is scrutizined as hidden counter-aesthetics through questions such as: Which kinds of impairments are to be observed? Can they be classified according to grades? Are there gender specificities? How are these tensions and ruptures organized, and which categories (semantic, biological, political, moral) are concerned? Which narratorial and other functions are served through the counter-image of the flawed (impaired) body? And finally, how do the findings from these investigations into the flipside, the ‘Other’ of Kawabata's aesthetic universe, contribute to complementary or alternative ways of reading and understanding his literature? In a final section, Kawabata's treatment of female bodies as a site of experimenting with extreme situations of passivity and agency is highlighted, challenging more conventional readings of this and other works. The works discussed are from a deliberately broad chronological and generic range, including canonical and popular works. They range from the newspaper novels ‘Utsukushii!’ (1927) and ‘Maihime’ (1950/1), the novel ‘Senbazuru’ (1952) to the stories and palm-of-the-hand stories ‘Ningen no ashioto’ (1925),’Izu no odoriko’ (1926), ‘Mekura to shōjo’ (1928), ‘Utsukushiki haka’ (1929) ‘Hokuro no tegami’ (1940), ‘Sasabune’ (1950), and, in the final section, ‘Kataude’ (1963/4) and ‘Nemureru bijo’ (1960/1). 相似文献
19.
Adwoa A. Afful 《Journal of Gender Studies》2015,24(4):453-472
Over the past decade, in Canada and the United States, blogs have become a popular and important space for fat women and their allies to create and further develop discursive strategies to contest the gendered anti-fat discourses perpetuated by the media, governments and the field of medicine and institutions of public health (e.g., Elliot, C. (2007). Journal of Canadian Studies, 41, 134–149. Gimlin, D. (2002). Body work: Beauty and self-image in American culture. Berkeley: University of California Press; Herdon, A. M. (2006). Social Semiotics, 15, 127–141. Rice, C. (2007). Women's Studies International Forum, 30, 158–174. Currently, popular discourses pertaining to fat people, particularly women, tend to range from larger bodies implicating a ‘moral deficit’ to a ‘risky behaviour’ to ‘political discrimination’ where elements from each discourse shape how fat women's bodies are read within the broader culture (Fikkan, J. L., & Rothblum, E. D. (2011). Sex Roles, 66, 575–592. Kwan, S. (2009). Sociological Inquiry, 79, 25–50. These messages in positioning the thin body as the ideal body are embedded in neoliberal discourses around citizenship that, in emphasizing personal responsibility, encourage (sometimes) punishing regimens of strict diets and exercise, and perpetuate an image of responsible citizenship as an extension of modern interpretations (Herdon, 2006). Using content and thematic analysis, we systematically analyze how four female self-identified fat acceptance (FA) bloggers discuss beauty standards and body image as a means to challenge these discourses. Findings suggest bloggers import elements from LBGTQ movements to extend dominant discursive strategies, model alternative forms of fat embodiment, and address the economic marginalization of fat women in industry. Moreover, through discussions on beauty and body image, bloggers use online spaces to contest anti-fat discourses and to develop discursive strategies that move beyond the binary of fat as a lifestyle choice, and body size as biologically or genetically determined that dominate the fat acceptance movement. 相似文献
20.
Michael Lovelock 《Journal of Gender Studies》2017,26(6):675-687
A conception of transgender identity as an ‘authentic’ gendered core ‘trapped’ within a mismatched corporeality, and made tangible through corporeal transformations, has attained unprecedented legibility in contemporary Anglo-American media. Whilst pop-cultural articulations of this discourse have received some scholarly attention, the question of why this ‘wrong body’ paradigm has solidified as the normative explanation for gender transition within the popular media remains underexplored. This paper argues that this discourse has attained cultural pre-eminence through its convergence with a broader media and commercial zeitgeist, in which corporeal alteration and maintenance are perceived as means of accessing one’s ‘authentic’ self. I analyse the media representations of two transgender celebrities: Caitlyn Jenner and Nadia Almada, alongside the reality TV show TRANSform Me, exploring how these women’s gender transitions have been discursively aligned with a cultural imperative for all women, cisgender or trans, to display their authentic femininity through bodily work. This demonstrates how established tropes of authenticity-via-bodily transformation, have enabled transgender to become culturally legible through the wrong body trope. Problematically, I argue, this process has worked to demarcate ideals of ‘acceptable’ transgender subjectivity: self-sufficient, normatively feminine, and eager to embrace the possibilities for happiness and social integration provided by the commercial domain. 相似文献